
Zanele Ndlovu by Ian van Coller
Ian van Coller
Currently residing in Bozeman, Montana
Website
www.ianvancoller.com
Work Statement
This project focuses on the intersection of post-apartheid black and white identities via photographic portraiture and oral recording of black domestic workers.
There are more than 1.5 million black South Africans, primarily women, who still serve as maids and nannies in white households. Although these domestics and their employers remain separated by an enormous gulf in race, culture, education and poverty that characterizes much of South Africa today, they are often wedded by an intensely intimate, personal, and awkward interdependence. In this project, my intent is to capture some of the complexities that all South Africans face in creating and asserting post-Apartheid identities in the face of dramatic economic and cultural realities.
The women in this portrait series were photographed in the homes where they are employed. They were asked to choose their own dress and posture as a means to express their identity within that environment, and became active participants in the construction of these images.
Bio
Ian van Coller is an artist and photographer who grew up in apartheid era South Africa. After receiving a National Diploma in Photography in 1991 from Technikon Natal in Durban, van Coller moved to Arizona in the southwest of the United States. He spent nine years in Tempe where he completed his BFA degree in Photography (from Arizona State University) and worked for 5 years as a photogravure collaborative printer and partner at Segura Publishing, a small fine art printing company in Tempe (www.segura.com). In 2000 Van Coller moved to Albuquerque, New Mexico where he received his MFA in photography from the University of New Mexico. He currently lives in Bozeman, Montana where he is an Assistant Professor of Photography at Montana State University. Van Coller returns to South Africa every year to work on art and photography projects. His work has been widely exhibited in the United States and South Africa where his work is included in many museum collections including The Philadelphia Museum of Art, The Fogg Museum, The Scottsdale Museum of Contemporary Art and The South African National Gallery (IZIKO).


1 Comment
This is why I love Photography, these are beautiful portraits, great eye.
Peace
Xenobia