Cardinal Head, 2008 by Joyce P. Lopez

Photography, though an art form, also serves as historical documentation. It is a tool used for the preservation of specific culture, events, and landscapes in addition to creating the beauty found in photographs. Contender Joyce P. Lopez does not use a camera to capture images. Instead, she scans three-dimensional objects lending a scientific and anthropological element to these moments.

Photographs created by scanner are stripped of a background and rid of time and place, allowing viewers to observe simply the facts and details. There are several photographers working in this fashion; my favorite recent example documents the delicious and inspirational sandwich-eating habits of a New Yorker, appropriately titled Scanwiches.

Five Boro Bistro: Ham, Turkey, Lettuce, Onions, Cheddar Cheese, On White Toast, 2010 by Jon Chonko

Joyce P. Lopez uses a scanner not only as a scientific tool but also as a political one. In her series, The Trouble with Birds, she scans birds that have died, in an attempt to reveal the effects of climate change on the natural world. She writes,

All the birds in this series are dead but beautiful biological specimens worthy of reverence, and visual contemplation. We are partially responsible for climate and environmental changes which is greatly affecting birds...For example, around their eyes, there are special tiny feathers that have a twisted rope effect. Scars and insects marks on their beaks, all are visible. These birds are warning us about our impact on the environment, and to take responsibility.

The resulting images are eerie and sad; it is hard not to notice the small details left behind on their bodies. The creased feathers squished against the glass makes it quite clear the delicate and fragile nature of the birds, facts that would normally be invisible to the human eye.

Chimney Swift Feet, 2008 by Joyce P. Lopez

You can view more of Joyce's work on her website.