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2010 Hot Shot: Zhijie Sui

By youngna on November 1, 2010 10:28 AM

Sui_ODE_1-590.jpgODE_1, 2010

Sui_ODE_2-590.jpgODE_2, 2010

Sui_ODE_3-590.jpgODE_3, 2010

Sui_ODE_4-590.jpgODE_4, 2010

Sui_ODE_5-590.jpgODE_5, 2010

Zhijie Sui

Website: http://www.tacasui.com

Bio:
Taca Sui was born in Qingdao, China and currently resides New York City and Beijing. Past exhibitions include: Another Landscape at the INTER Art Center, Beijing, China (2010); Parallel Translation, Chengdu, Sichuan, China (2009); Black White Grey at ASL Gallery, New York (2009); 2009 Years Show at ASL Gallery, New York (2009); Intimate Distance at Qart Gallery, Brooklyn, NY (2007).

Artist Statement:
The Book of Odes, China's earliest collection of poems, both marks the beginning of Chinese civilization and delineates certain core elements of Asian culture.

My search for the broad mountains, flowing rivers, ruined walls and ancient paths of The Book of Odes felt much like a mysterious engagement with an absent partner. During the shoot, it was almost as if my emotions and artistic direction were under the influence of some unknown force.

When I think back to before I started this project, after several months of textual and geographical research, I was alarmed to find myself falling into the vast artificial construct of annotations and commentaries built by generations of Confucian scholars. With the shadow of such cluttered and factitious interpretations still hanging over the Odes, the meaning of the original text has been misconstrued and concealed, and a distorted, so-called truth has been created.

I believe that changing reality and the text, including historical annotations, continually influence each other. I ask, therefore, in this never-ending process of mutual transformation, what are the principal divergences from the original text, and what layers of meaning have been lost? In terms of my own personal experience, as the original text has long been separated from its concrete context, what is the necessity and basis for so-called poetic sentiments?

I hope to build a stable artistic structure that corresponds on some level to the composition of The Book of Odes, but at the same time pushes the Ode's literary significance into a distant and unfamiliar world, bringing the work's amorphous and mystical concepts into reality, and by doing so, facilitates analysis of the Odes, which truly is an artistic model with limitless possibility.

Filed under: 2010 Hot Shots

Tags:

  • 2010 HHS!,
  • Beijing,
  • bw,
  • China,
  • Hot Shot,
  • Zhijie Sui
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