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First Edition 2011 Hot Shot: Laura Plageman

By Charlie Fish on October 5, 2011 11:57 AM

n1942-b_egret-1000x0_hotshotblog.jpgResponse to Print of Egret Rookery, Louisiana, 2010 by Laura Plageman

n1944-b_kudzu-1000x0_hotshotblog.jpgResponse to Print of Kudzu, Texas, 2010 by Laura Plageman

n1944-d_vulture-0x1000_hotshotblog.jpgResponse to Print of Vulture Roost, Texas, 2010 by Laura Plageman

20100822-028-green-hill-1000x0_hotshotblog.jpgResponse to Print of Green Hill, Washington, 2010 by Laura Plageman

20100611-021_trees_fog-1000x0_hotshotblog.jpgResponse to Print of Through the Trees, Oakland, 2011 by Laura Plageman

Laura Plageman

Website: http://www.photolp.com

Bio:
Laura Plageman is an artist and educator who lives and works in Oakland, CA. Her images explore the relationships between the process of image making, photographic truth and distortion, and the representation of landscape. She is interested in making pictures that examine the natural world as a scene of mystery, beauty and constant change—transformed both by human presence and by its own design. Plageman has exhibited her work in San Francisco, New York, Portland and Galway, Ireland. She earned a BA at Wesleyan University (Middletown, CT) and an MFA from the California College of the Arts (San Francisco, CA).

Artist Statement:
Response series: In this series I am responding to photographs both as representations and tangible objects. Through physically altering enlarged prints and then re-photographing the results, I create works that oscillate between image and object, photography and sculpture, landscape and still life. While they may appear illusory, the resulting pictures are documents of actual events and are thus as authentic as the original representational images contained within. My process unfolds through observation and experimentation--I let the image and its materiality dictate its direction. Playing with paper and with light in unplanned and organic ways, I look for new ways to perceive the space, form and context of my subjects. In some works, large pieces of the original image are torn out, while in others, smaller parts are more subtly altered. I use a large-format view camera throughout my process so I can control perspective and record as much detail as possible. Whether focused on a ripped paper edge or a nesting bird, I hope to reach a place where picture elements interact and merge in unpredictable and expressive ways.

Filed under: 2011 First Edition Hot Shots

Tags:

  • HHS! 2011,
  • Hot Shot,
  • laura plageman
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