Hey, Hot Shot! Entries for Hot Shot! Panelists

10_Watanabe.jpg
Kim Song Mi & Kim Yun Kyong, Pyongyang Schoolchildren's Palace, North Korea by 2008 Project Competition Winner, Hiroshi Watanabe

Center, based out of Santa Fe, New Mexico, has four open calls for entries with a deadline of next Friday, January 27th. Center produces the annual Review LA which took place last week simultaneous to Photo LA. They are also host to Review Santa Fe, a fantastic weekend conference for photographers to meet with curators, editors, publishers and galleries, and have their portfolios reviewed.

The Project Competition is open to photographers working on documentary projects and fine-art series. One First Prize and three finalists are selected by the jurors, who include curator Tina Kukielski (Whitney Museum), editor Markus Seewald (GEO magazine) and our own Hey, Hot Shot! panelist and CEO of Chronicle Books, Nion McEvoy. The first prize winner is awarded $5,000 cash, an exhibition in Santa Fe, admission to Review Santa Fe and feature in an online magazine. To learn more about how to enter and to see the work of previous winners, visit the Project Competition page.

Center is also accepting submissions to Project Launch, an award to help a single photographer complete a body of work currently in-progress. This award is also open to documentary projects and fine-art series. A single First Prize of $3,000 cash is awarded, with an exhibition at Zane Bennett Contemporary Art in Santa Fe, Feature in Fraction magazine, a tuition voucher at the Santa Fe Workshops and participation in Review Santa Fe. Two honorable mentions will also receive $500 cash and participation in Review Santa Fe. For more info and to apply, click here. Project Launch will be juried by Darren Ching and Debra Klomp Ching, co-directors of Klompching Gallery.

The final competition is the Choice Awards, which selects individual photographs in three categories: Curator's Choice, Director's Choice and Editor's Choice. As for the other two awards, the winners will also receive exhibition and publication. Applications can submit up to four images for $25, with a $5 fee for each additional photograph. The Choice Awards are juried by curator Roxana Marcoci (MoMA, Dept of Photography), Directors Laura Valenti & Chris Bennett (Newspace Center for Photography) and editors Kathy Ryan (The New York Times) and Scott Thode (Fortune).

All of the photographers who apply to the above three competitions are also encouraged to submit to Review Santa Fe. Those who apply for both the Project Competition and Review are eligible for a discounted fee. Last year's The Review Santa Fe 100 contains a list of stand-out projects from last year, and is a frequent source of inspiration for work being made by emerging and increasingly established photographers today.

Several people in the JBP office have attended Review Santa Fe in the past, and the experience—both as a reviewer and a photographer—is exceptional and rewarding. If you have a body of work in progress, or recently completed, we highly encourage you to apply.

meyerowitz.jpg

This Tuesday, January 12th, you're invited to a conversation between Hey, Hot Shot! panelist and publisher of the Aperture Foundation's book program, Lesley A. Martin and photographer Joel Meyerowitz. The two will be discussing Meyerowitz's book Legacy, a result of the first government commission to document public parks in New York City since the 1930's. As any New Yorker will tell you, our beloved parks—all nine-thousand acres of them—are thriving some eighty years since the documentation first began. Here are some more details about the event:

Ms. Martin, who edited the book, will talk with Meyerowitz about how this ambitious project evolved from conception to completion, what surprises he encountered in the course of discovering these corners of nature hidden within the concrete world of the city, and how Legacy connects with his first New York project documenting Ground Zero for nine months following 9/11, which resulted in the publication of Aftermath: The World Trade Center Archive.

This discussion is part of the "Architectural Explorations in Books" series at the New York Public Library, a program of events which seeks to "delve into the critical role that architecture books play in the understanding of contemporary urban developments and structures." Not only is Tuesday's discussion a great opportunity to learn about photo books and the evolution of parks and green spaces in New York City, but it is totally free and open to the public.

The Urban Sublime at The New York Public Library
Joel Meyerowitz in conversation with Lesley A. Martin
Tuesday January 12, 2010
6:00 p.m.

Stephen A. Schwarzman Building
Margaret Liebman Berger Forum
Room 227 (2nd Floor)
476 Fifth Avenue (5th Avenue & 42nd Street)
New York, NY 10018

Welcome HHS! Panelist Whitney Johnson!

Whitney-Johnson.jpg

We are thrilled to announce the addition of The New Yorker picture editor Whitney Johnson to our panel! Whitney's joined us just in time to review all the contenders in the Hey, Hot Shot! 2009 Second Edition competition. This preeminent group of arts professionals just got better—and you want this group to see your work! (hint hint!)

Of Whitney joining the review team, Hey, Hot Shot! founder Jen Bekman says,

I'm delighted that the talented Ms. Johnson is joining the team. Whitney and I got to know each other as reviewers at various top-tier photography events across the country. Plus, she works at my favorite magazine. When she came to Hosang Park's opening a few weeks ago, I suggested to her—as I always do with people whom I enjoy and admire—that she be a panelist. She said, All you have to do is ask—and I did!

As the newest member of team Hey, Hot Shot!, Whitney will help review and select the Second Edition Hot Shots of 2009. Here's a touch more about her:

Whitney Johnson is the picture editor at The New Yorker where she is responsible for producing shoots and researching visual material for political, cultural, and social stories. Prior to joining the magazine, Whitney worked at the Open Society Institute & Soros Foundations Network for over five years, where she worked closely with photographers, commissioning work for publications and coordinating a documentary photography exhibition and international grant competition. She holds a BA from Barnard College, and is pursuing a MA in American Studies, with a focus on photography and social change, at Columbia University.

Welcome Whitney! We can't wait for your exacting eye to help sift through all these talented contenders as we seek out the newest Hot Shots!

Required Reading

412BNpwd8BL._SS500_.jpg
The Photograph as Contemporary Art by Charlotte Cotton


I know, it's hard to pry your eyes away from the screen and do some offline reading every once in awhile, but do it, and your eyes and your head will thank you. If you're not sure where to begin (often a problem online too...) start here, on HHS panelist Darius Himes' blog (I know! I know! I just suggested going offline, but here first, then to your couch! And then, back to the interwebs for some follow-up reading.)

Among other things, Mr. Himes manages to squeeze in some time to teach at the College of Santa Fe and has been posting his class' reading assignments on his blog. So, if you'd like, follow along and brush up your knowledge. Unfortunately, we've missed the reading aloud of The Nature of Photographs by Stephen Shore (in entirety) but next on the list is Charlotte Cotton's The Photograph as Contemporary Art. Cotton's book concisely but not too cleanly, divides contemporary photography into seven categories, leaving room for the overlap and blurring of definitions that are bound to happen.


Aperture_194.jpg
Issue 194, Spring 2009


Also recommended: the latest publication of Aperture magazine. Highlights include Darius' review of Richard Benson's The Printed Picture which offers real inspiration for stepping away from the monitor and into the darkroom (as if my arm needed twisting) and Lyle Rexer's introduction of the work of Pertti Kekarainen. Pertti's abstract images are luscious but slightly disturbing examinations of vision, its significance and its delicacy. As Rexer explains:

Sight is fragile... We think of sight as a window, as if there were little people inside our heads looking out, as Stephen Shore once remarked. But that is wrong: sight confirms the world -- space, place, and even time. Deprived of it, we belong nowhere, confined to ourselves.

Um, all the more reason to relax your retinas. Anyone else have some paper and ink reading materials to share?

Jen Bekman, Rising Star

Tonight, the Griffin Museum of Photography will present Jen Bekman with its Rising Star Award at its 3rd Annual Focus Awards its annual Focus Awards. The Griffin Museum of Photography recognizes the work of people who are not photographers, but who have been instrumental in increasing awareness of the photographic arts among the general public.

Awards are presented in three categories: Lifetime Achievement, given to an individual whose ongoing commitment to photography has far-reaching impact; Rising Star, awarded to an emerging force the photographic community is watching with interest; New England Beacon, recognizing an individual whose work brings prominence to the local photographic scene; and the Spotlight Award, given to an entity that consistently shines a light on photography and enhances the art form. Ms. Bekman is this year's Rising Star.

The museum says,

"An innovative gallery owner, Bekman has used her knowledge of the Web to change gallery culture. After years of managing Web development teams at Netscape and Disney, she used her Internet skills and interest in photography to create a vehicle for connecting emerging photographers with potential buyers on the Web. She writes a blog, Personism, and is founder of the international photo competition, Hey, Hot Shot! Her latest endeavor is 20 x 200, a place to buy editioned prints and photos at affordable prices. She has been featured in many publications and was named Innovator of the Year by American Photo."

We're so proud of Ms. Bekman. Visit the museum for more info.

Anthony LaSala joins the HHS! Panel

anthony_lasala.jpg

Last minute but not least, Anthony LaSala, Senior Editor for PDN and now Hey, Hot Shot! Panelist, has joined our ranks and right in time for the winter review! Anthony is a guiding light for photographers young and old, amateurs and the experienced alike. Already a friend and patron to the emerging photographer, he has helped to bring us PDN's 30—their choice of the top 30 emerging photographer's to keep your eye on. As the newest member of team Hey, Hot Shot!, he'll help this beyond believable group select 2007's initial round of Hot Shots. Yes, today spirits are high. Welcome Anthony!

Since 1997, Anthony LaSala has been part of the editorial staff at the award-winning, monthly magazine for professional photographers, Photo District News. Now a Senior Editor for PDN, he writes and oversees several columns for the publication, and has helped make the international magazine the "bible" of the photography industry. A nominee for Photography Editor of the Year at the 2003 and 2004 International Photography Awards, he has also been a regular contributor to a number of national magazines, guest curator for numerous gallery exhibitions in the New York City area, and a panelist for several annual contests. He is the author of the forthcoming The Brooklynites (powerHouse, 2007) and World's Top Photographers: Nudes (Rotovision, 2005). He currently lives in his hometown of Brooklyn, New York.

I've said it before and will say it again, this all-star team keeps getting better and better. If you need a reminder of exactly who will be looking at your submissions, take a look at the panelist page [or see their sweet smiling faces on the blog].

Lesley Martin joins the HHS! Panel

lam-barbara-stauss.JPG

The news keeps on getting better and better... I am thrilled to announce that Aperture's own Lesley Martin has joined our ranks as a Hey, Hot Shot! Panelist for 2007. As the Executive Editor of Aperture Books, Lesley is much to blame for tempting my book lusts towards many a guilty indulgences. One need only glance at Aperture's recent releases before going on a wild bibliophile-photofanatic spending rampage. Lesley, we have much to thank you for. And I must mention again, along with our very own Jen Bekman, Lesley was named one of American Photo's Innovators of the Year.

Lesley A. Martin is Executive Editor of the book-publishing program at Aperture Foundation, where she has worked on-and-off for the past eleven years. In between stints at Aperture, she pursued graduate course work at Columbia College and the Museum of Contemporary Photography in Chicago, and also served as Senior Editor and Production Director of Umbrage Editions. Her writing on photography has been published in Aperture, American Photo, and DoubleTake, among other publications and she has edited over fifty books of photography, including Reflex: A Vik Muniz Primer; An-My Lê: Small Wars; My Life in Politics: Tim Davis; and Istanbul: City of a Hundred Names by Alex Webb. Martin is also the coauthor of two volumes on design, Graphicscape: Tokyo and Graphicscape: New York and contributing editor of Full Vinyl: The Subversive Art of Designer Toys.

It truly could not get any better. Lesley joins Joerg Colberg of Conscientious, Photographer Christine Collins, Photographer and SVA Photo Department Chair Stephen Frailey, Eileen Gittens, Founder and CEO of Blurb, Amit Gupta founder of Photojojo, Jenni Holder, previous Director of Edwynn Houk Gallery, The Ultras, and, of course, Jen Bekman herself on the panel. You have less than one month to get those submissions in and show off your stuff to this beyond amazing panel.

Get it in, get it out there: Enter today!

Eileen Gittins joins the HHS! Panel

mail.jpg

As if the panel wasn't amazing enough already—Eileen Gittins, Founder, President, and CEO of Blurb has joined the ranks! Eileen, an internet legend, a photographer, and a dedicated librophile, has revolutionized self-publishing. Her brainchild Blurb has made it possible, and more importantly financially feasible, for each and everyone of us to have our very own book. Eileen and her team think we should all have the reward of flipping though our own pages—does it get any better?

Eileen says this is the most fun company she's ever run, which is saying a fair amount as she has lived and worked all over the world with Kodak and as VP at Wall Data before and after the IPO, CEO of Personify (behavioral segmentation and analytics) and Verb (context search), and outside Board Director at Qbiquity and Popular Demand.

Eileen never stopped photographing since her days studying photography, and that's how Blurb got started. She wanted to create a beautifully designed and produced photo essay book—something that looked like a book you'd buy at the bookstore—but she only needed 40 copies. This turned out to be remarkably painful, expensive, and time-consuming—and she thought that was just wrong. So, she founded Blurb.

Eileen's favorite quote: "First they ignore you. Then they laugh at you. Then they fight you. Then you win." (Gandhi)

We are thrilled to have the amazing woman that is Eileen Gittins join us and you should be to! And, of course, Eileen is also on The List.

Special Guest Panelist: Joerg Colberg

digitalself.jpg

He's the hand that guides so many of us through the quickly condensing photographic-web, the man who consistently brings us new artists to ogle and old favorites to rehash. He's the one we can depend on for genuine thoughts and opinions, the one who brings us outstanding interviews and always keeps us entertained. He's a photographer, a thinker, a writer, a blogger, and an astrophysicist. He's a staple for us all, the photography/life/art/culture blogger of bloggers, and the mind behind ConscientiousJoerg Colberg, our Special Guest Panelist for Hey, Hot Shot! Fall 2006.

In his own words...

I was born on 15 February 1968 in what was then West Germany. I wish I could write that my interest in photography started when I found an old camera as a little boy. But alas, that didn't happen. Instead of using it I took it apart when it didn't work. In this spirit of wanting to know how things work - instead of being creative - I went to school and university. Eventually I ended up with a Ph.D. in theoretical astrophysics, a degree that doesn't have all that many applications in one's daily life (but, hey, it's quite interesting). In a sense I could write that I turned to photography after I had learned how - literally - the Universe worked, except that that's also just partly true (but it sounds good). In any case, I picked up photography at around the age of 30, again by chance. This time I had to buy a camera, because apparently there are only so many free cameras in one's life time. In parallel to learning how to take photos (by making each and every mistake that one could possibly make) I started compiling a weblog about contemporary photography, Conscientious. I guess it would have been harder to pick up theoretical astrophysics at the age of 30, so I'm not complaining.

We are thrilled to have Joerg on board and along for the Hey, Hot Shot! ride. This November he joins our amazing group of panelists in looking at your work. We are four weeks away from deadline, so get it in and let Joerg be the judge!